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	<title>Futureface</title>
	<link>http://www.computerfinearts.com/collection/walczak/futureface</link>
	<description>some ideas for people and machines</description>
	<pubDate>Tue, 19 Jul 2005 16:40:47 +0000</pubDate>
	<generator>http://wordpress.org/?v=1.5.1.2</generator>
	<language>en</language>

		<item>
		<title>Marek Walczak : Artist</title>
		<link>http://www.computerfinearts.com/collection/walczak/futureface/92/</link>
		<comments>http://www.computerfinearts.com/collection/walczak/futureface/92/#comments</comments>
		<pubDate>Sun, 17 Jul 2005 15:36:13 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>marek</category>
	<category>people</category>
		<guid>http://www.computerfinearts.com/collection/walczak/futureface/92/</guid>
		<description><![CDATA[	Marek Walczak is an artist and architect who is interested in how people participate in phsycial and virtual spaces. This has led to digital tools and interactive projects such as Apartment which was shown at the Whitney Museum and many venues worldwide.  Dialog Table has recently been completed for the Walker Art Center, it [...]]]></description>
			<content:encoded><![CDATA[	<p><img src="http://www.computerfinearts.com/collection/walczak/futureface/wp/wp-content/images/marek.jpg" class="left" width="90" height="120" alt="Marek Walczak" title="Marek Walczak" /><a href="http://mw2mw.com/">Marek Walczak</a> is an artist and architect who is interested in how people participate in phsycial and virtual spaces. This has led to digital tools and interactive projects such as <a href="http://turbulence.org/Works/apartment/">Apartment </a>which was shown at the Whitney Museum and many venues worldwide.  <a href="http://dialogtable.com/">Dialog Table</a> has recently been completed for the Walker Art Center, it is a shared interface that replaces a keyboard and mouse with gesture recognition technology. Current projects bridge physical installations with user interaction, including a one block long façade at <a href="http://kinecity.com/">7 World Trade Center </a>that reacts to pedestrians walking beneath it (for James Carpenter Design) and video installations that activate physical space based on user engagement such as Third Person, recently shown at the ICA, London. Marek trained as an architect at the Architectural Assoc. in London and Cooper Union in New York.
</p>
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			<wfw:commentRSS>http://www.computerfinearts.com/collection/walczak/futureface/92/feed/</wfw:commentRSS>
	</item>
		<item>
		<title>John F Simon Jr : Artist</title>
		<link>http://www.computerfinearts.com/collection/walczak/futureface/91/</link>
		<comments>http://www.computerfinearts.com/collection/walczak/futureface/91/#comments</comments>
		<pubDate>Sun, 17 Jul 2005 15:35:49 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>people</category>
	<category>john</category>
		<guid>http://www.computerfinearts.com/collection/walczak/futureface/91/</guid>
		<description><![CDATA[	 John F. Simon, Jr.  is an artist who uses programming language as an activated extension of written language. His software programs are displayed on the web and also on wall-mounted LCD screens. His software compositions never repeat. The beautiful patterns and movement emerge from Simon&#8217;s process of considering computer coding as a kind [...]]]></description>
			<content:encoded><![CDATA[	<p><img src="http://www.computerfinearts.com/collection/walczak/futureface/wp/wp-content/images/simonHeadShot.jpg" class="left" width="94" height="120" alt="John Simon Jr" title="John Simon Jr" /> <a href="http://numeral.com/">John F. Simon, Jr.</a>  is an artist who uses programming language as an activated extension of written language. His software programs are displayed on the web and also on wall-mounted LCD screens. His software compositions never repeat. The beautiful patterns and movement emerge from Simon&#8217;s process of considering computer coding as a kind of creative writing. He is currently making an artist&#8217;s book about his software drawing tools that will be published by Printed Matter in New York City.</p>
	<p>John Simon&#8217;s work has been included in the Whitney Museum&#8217;s 2000 Biennial and Bitstreams in 2001. He was selected to receive the Aldrich Museum Trustee&#8217;s Award for an Emerging Artist in fall 2000. His software panel works have been collected by the Whitney Museum of American Art, the <a href="http://guggenheim.org/internetart/internetart_index.html">Guggenheim Museum</a>, Los Angeles County Museum of Art, and the San Francisco Museum of Modern Art, among others.</p>
	<p>He holds an MFA degree from the School of Visual Arts in Manhattan and a Masters degree in Earth and Planetary Sciences from Washington University in St. Louis.</p>
	<p>He lives in New York City with his wife Elizabeth.
</p>
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			<wfw:commentRSS>http://www.computerfinearts.com/collection/walczak/futureface/91/feed/</wfw:commentRSS>
	</item>
		<item>
		<title>Brad Paley : Interaction Designer</title>
		<link>http://www.computerfinearts.com/collection/walczak/futureface/90/</link>
		<comments>http://www.computerfinearts.com/collection/walczak/futureface/90/#comments</comments>
		<pubDate>Sun, 17 Jul 2005 15:34:38 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>people</category>
	<category>brad</category>
		<guid>http://www.computerfinearts.com/collection/walczak/futureface/90/</guid>
		<description><![CDATA[	 W. Bradford Paley is an interaction designer and artist whose focus in both worlds is readable, clear, and engaging expression of complex data. His visual representations are inspired by the calm, richly layered information in natural scenes. His process invokes three perspectives: rendering methods used by fine artists and graphic artists are informed by [...]]]></description>
			<content:encoded><![CDATA[	<p><img src="http://www.computerfinearts.com/collection/walczak/futureface/wp/wp-content/images/bradHeadShot.jpg" class="left" width="94" height="120" alt="Brad Paley" title="Brad Paley" /> <a href="http://didi.com/brad/">W. Bradford Paley</a> is an interaction designer and artist whose focus in both worlds is readable, clear, and engaging expression of complex data. His visual representations are inspired by the calm, richly layered information in natural scenes. His process invokes three perspectives: rendering methods used by fine artists and graphic artists are informed by their possible underpinnings in human perception, then applied to creating narrowly-scoped, almost idiosyncratic representations whose visual semantics are driven by the real-world metaphors of the experts who know the domains best.</p>
	<p>Brad did his first computer graphics in 1973, founded Digital Image Design Incorporated (didi.com) in 1982, and started doing financial &#038; statistical data visualization in 1986. He has exhibited at the Museum of Modern Art; he created TextArc.org; he is in the permanent collection of the Whitney Museum of American Art; has received multiple grants and awards for both art and design, and his designs are at work every day in the hands of brokers on the floor of the New York Stock Exchange. He is an adjunct associate professor at Columbia University, and is director of Information Esthetics: a fledgling interdisciplinary group exploring the creation and interpretation of data representations that are both readable and esthetically satisfying.
</p>
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			<wfw:commentRSS>http://www.computerfinearts.com/collection/walczak/futureface/90/feed/</wfw:commentRSS>
	</item>
		<item>
		<title>Seamus Moran</title>
		<link>http://www.computerfinearts.com/collection/walczak/futureface/89/</link>
		<comments>http://www.computerfinearts.com/collection/walczak/futureface/89/#comments</comments>
		<pubDate>Sun, 17 Jul 2005 15:33:20 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>people</category>
	<category>seamus</category>
		<guid>http://www.computerfinearts.com/collection/walczak/futureface/89/</guid>
		<description><![CDATA[	
	&#8220;&#8230;Lacan reminds his students over and over to stop trying to understand everything, because understanding is ultimately a form of defense, of bringing everything back to what is known. The more you try to understand, the less you hear—the less you can hear something new and different.&#8221;

]]></description>
			<content:encoded><![CDATA[	<p><img src="http://www.computerfinearts.com/collection/walczak/futureface/wp/wp-content/images/seamushead.jpg" class="left" width="94" height="120" alt="Seamus Moran" title="Seamus Moran" /></p>
	<p>&#8220;&#8230;Lacan reminds his students over and over to stop trying to understand everything, because understanding is ultimately a form of defense, of bringing everything back to what is known. The more you try to understand, the less you hear—the less you can hear something new and different.&#8221;
</p>
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			<wfw:commentRSS>http://www.computerfinearts.com/collection/walczak/futureface/89/feed/</wfw:commentRSS>
	</item>
		<item>
		<title>Rama Chorpash : Industrial Designer</title>
		<link>http://www.computerfinearts.com/collection/walczak/futureface/86/</link>
		<comments>http://www.computerfinearts.com/collection/walczak/futureface/86/#comments</comments>
		<pubDate>Sun, 17 Jul 2005 15:30:30 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>rama</category>
	<category>people</category>
		<guid>http://www.computerfinearts.com/collection/walczak/futureface/86/</guid>
		<description><![CDATA[	 Rama Chorpash Design focuses on how divergent cultures can celebrate existence through design. Through his New York atelier, Rama designs benchmark products, electronics, packaging, environments and furniture. Work ranges from consultancy, entrepreneurship to objects of provocation. Projects are done just a few at a time, thus employ a high level of personal dedication.
	Rama has [...]]]></description>
			<content:encoded><![CDATA[	<p><img src="http://www.computerfinearts.com/collection/walczak/futureface/wp/wp-content/images/rama.jpg" class="left" width="90" height="120" alt="Rama Chorpash" title="Rama Chorpash" /> Rama Chorpash Design focuses on how divergent cultures can celebrate existence through design. Through his New York atelier, Rama designs benchmark products, electronics, packaging, environments and furniture. Work ranges from consultancy, entrepreneurship to <a href="http://www.thevillager.com/villager_38/villageresident.html">objects of provocation</a>. Projects are done just a few at a time, thus employ a high level of personal dedication.</p>
	<p>Rama has had a studio in São Paulo Brazil focusing on product development in Latin America. He has been a Senior Project Manager/Designer with <a href="http://www.idonline.com/adr01/ecco.html">ECCO Design</a>, helped found the Swatch Lab New York as well as worked for DM9 / DDB Brazil. He has designed for: <a href="http://www.metropolismag.com/html/content_0401/enterprise/">Herman Miller</a>, Cisneros Group, Carlos Miele, Hewlett Packard, and Colgate.</p>
	<p>Rama’s work has been shown in Central Park in collaboration with ‘assue vivid astro focus’ for the 2004 New York Public Art Fund and Whitney Biennial. His works have also been exhibited in the Bienal da Prata in Portugal with Frank O Ghery, Alvaro Siza and the Campana brothers, <a href="http://www.compact-impact.com/1102/main/products/products.html">TKNY</a>, as well as the Museum of Modern Art show, ‘<a href="http://www.moma.org/exhibitions/2001/workspheres/">Workspheres:</a> Design and Contemporary Work Styles’.</p>
	<p>Rama received his BFA from the California College of Art (CCA) in 1993. He is an assistant professor at the <a href="http://www.id-uarts.org/">University of the Arts</a> as well as an outside critic and lecturer.
</p>
]]></content:encoded>
			<wfw:commentRSS>http://www.computerfinearts.com/collection/walczak/futureface/86/feed/</wfw:commentRSS>
	</item>
		<item>
		<title>The island</title>
		<link>http://www.computerfinearts.com/collection/walczak/futureface/99/</link>
		<comments>http://www.computerfinearts.com/collection/walczak/futureface/99/#comments</comments>
		<pubDate>Sun, 17 Jul 2005 15:27:52 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>marek</category>
	<category>intelligence of things</category>
		<guid>http://www.computerfinearts.com/collection/walczak/futureface/99/</guid>
		<description><![CDATA[	
The island in Midsummer Night&#8217;s Dream is intelligent, Caliban quiets his friends when they were frightened by it. The text here was taken and translated automatically many times over from English to German to English - a babel device created by Jonathan Feinberg - it produced new cadences to an ancient text.
	This fear and love [...]]]></description>
			<content:encoded><![CDATA[	<p><img src="http://www.computerfinearts.com/collection/walczak/futureface/wp/wp-content/images/marek-caliban.jpg" width="512" height="384" alt="The Island" title="The Island" /><br />
The island in Midsummer Night&#8217;s Dream is intelligent, Caliban quiets his friends when they were frightened by it. The text here was taken and translated automatically many times over from English to German to English - a <a href="http://babel.mrfeinberg.com/">babel </a>device created by Jonathan Feinberg - it produced new cadences to an ancient text.</p>
	<p>This fear and love we have, our will assuaged by our private domain. Consciousness then exists in a place, as when you visit an apartment of someone recently died, their presence still rests there.<br />
<code><a href="http://www.computerfinearts.com/collection/walczak/futureface/marek-walczak/">Marek Walczak</a></code>
</p>
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			<wfw:commentRSS>http://www.computerfinearts.com/collection/walczak/futureface/99/feed/</wfw:commentRSS>
	</item>
		<item>
		<title>no title</title>
		<link>http://www.computerfinearts.com/collection/walczak/futureface/98/</link>
		<comments>http://www.computerfinearts.com/collection/walczak/futureface/98/#comments</comments>
		<pubDate>Sun, 17 Jul 2005 15:26:40 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>john</category>
	<category>intelligence of things</category>
		<guid>http://www.computerfinearts.com/collection/walczak/futureface/98/</guid>
		<description><![CDATA[	coming?

]]></description>
			<content:encoded><![CDATA[	<p>coming?
</p>
]]></content:encoded>
			<wfw:commentRSS>http://www.computerfinearts.com/collection/walczak/futureface/98/feed/</wfw:commentRSS>
	</item>
		<item>
		<title>Windows</title>
		<link>http://www.computerfinearts.com/collection/walczak/futureface/97/</link>
		<comments>http://www.computerfinearts.com/collection/walczak/futureface/97/#comments</comments>
		<pubDate>Sun, 17 Jul 2005 15:23:07 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>brad</category>
	<category>intelligence of things</category>
		<guid>http://www.computerfinearts.com/collection/walczak/futureface/97/</guid>
		<description><![CDATA[	
As interfaces mature into being windows onto the data feeds that people care about (e-mail, calendars, news) the varying degrees of consciousness or intelligence behind these feeds should be drawn to reflect varying degrees of self-directedness&#8211;evoking presences from table to refrigerator to TV to dog to phone to AI assistant: richer, more organic imagery to
represent [...]]]></description>
			<content:encoded><![CDATA[	<p><img src="http://www.computerfinearts.com/collection/walczak/futureface/wp/wp-content/images/brad-livingRoom.jpg" width="512" height="384" alt="Windows" title="Windows" /><br />
As interfaces mature into being windows onto the data feeds that people care about (e-mail, calendars, news) the varying degrees of consciousness or intelligence behind these feeds should be drawn to reflect varying degrees of self-directedness&#8211;evoking presences from table to refrigerator to TV to dog to phone to AI assistant: richer, more organic imagery to<br />
represent richer data, plain imagery to evoke simple processes.<br />
<code><a href="http://www.computerfinearts.com/collection/walczak/futureface/brad-paley/">Brad Paley</a></code>
</p>
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			<wfw:commentRSS>http://www.computerfinearts.com/collection/walczak/futureface/97/feed/</wfw:commentRSS>
	</item>
		<item>
		<title>no title</title>
		<link>http://www.computerfinearts.com/collection/walczak/futureface/96/</link>
		<comments>http://www.computerfinearts.com/collection/walczak/futureface/96/#comments</comments>
		<pubDate>Sun, 17 Jul 2005 15:17:03 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>seamus</category>
	<category>intelligence of things</category>
		<guid>http://www.computerfinearts.com/collection/walczak/futureface/96/</guid>
		<description><![CDATA[	who knows?

]]></description>
			<content:encoded><![CDATA[	<p>who knows?
</p>
]]></content:encoded>
			<wfw:commentRSS>http://www.computerfinearts.com/collection/walczak/futureface/96/feed/</wfw:commentRSS>
	</item>
		<item>
		<title>Plants</title>
		<link>http://www.computerfinearts.com/collection/walczak/futureface/93/</link>
		<comments>http://www.computerfinearts.com/collection/walczak/futureface/93/#comments</comments>
		<pubDate>Sun, 17 Jul 2005 14:55:52 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>rama</category>
	<category>intelligence of things</category>
		<guid>http://www.computerfinearts.com/collection/walczak/futureface/93/</guid>
		<description><![CDATA[	
To plant is to put in place – control.  Wander off the beaten path into wilderness, and plants reveal their sentience. In the kingdom of living beings, they are independent from us. Beauty lies in their province. How might our interfaces exhibit such qualities of splendor: autonomy, wildness and variance?
Rama Chorpash

]]></description>
			<content:encoded><![CDATA[	<p><img src="http://www.computerfinearts.com/collection/walczak/futureface/wp/wp-content/images/rama-plant_3.jpg" width="512" height="384" alt="Plants" title="Plants" /><br />
To plant is to put in place – control.  Wander off the beaten path into wilderness, and plants reveal their sentience. In the kingdom of living beings, they are independent from us. Beauty lies in their province. How might our interfaces exhibit such qualities of splendor: autonomy, wildness and variance?<br />
<code><a href="http://www.computerfinearts.com/collection/walczak/futureface/rama-chorpash/">Rama Chorpash</a></code>
</p>
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			<wfw:commentRSS>http://www.computerfinearts.com/collection/walczak/futureface/93/feed/</wfw:commentRSS>
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