If a recent vestige of this being called Man was a circuit of property values whose personal or corporate (corporeal) identity was always already marked by the commodification of an existence teleporting itself through a late-capitalist society, then how d oes the entry of the cyborg-narrator into the value-added networks of cyberspace signal the radical-becoming of a new, more fluid subjectivity, one that is digital, intuitive, nomadic and desperately trying to break free from the materiality of fettered culture?